UNTITLED  2017,  oxidised iron, enamel and cast Perspex,  36.0 x 24.0 x 3.0 cm  (private collection UK)            

UNTITLED 2017,

oxidised iron, enamel and cast Perspex,

36.0 x 24.0 x 3.0 cm

(private collection UK)

 

 

 

 

  HOW LONG SHALL WE STAND HERE? (II)  after Olav H. Hague  2007–17  6000º fahrenheit on eroded limestone  45.0 x 35.5 cm          

HOW LONG SHALL WE STAND HERE? (II) after Olav H. Hague

2007–17

6000º fahrenheit on eroded limestone

45.0 x 35.5 cm 

 

 

 

  LEAVE THE DOOR OPEN FOR THE UNKNOWN  (detail) 2017  pigment dispersal, aqueous polyester and daylight  24.0 x 30.0 cm            

LEAVE THE DOOR OPEN FOR THE UNKNOWN (detail) 2017

pigment dispersal, aqueous polyester and daylight

24.0 x 30.0 cm

 

 

 

 

  I LIKE HOW YOU USE FEW WORDS (IV)  after Olav H. Hague, 2016  oil pigment, aqueous sheet with daylight  48.0 x 29.0 cm            

I LIKE HOW YOU USE FEW WORDS (IV) after Olav H. Hague, 2016

oil pigment, aqueous sheet with daylight

48.0 x 29.0 cm

 

 

 

 

  LEAVE THE DOOR OPEN FOR THE UNKNOWN (V)  2017  pigment dispersal, aqueous polyester and daylight  24.0 x 30.0 cm            

LEAVE THE DOOR OPEN FOR THE UNKNOWN (V) 2017

pigment dispersal, aqueous polyester and daylight

24.0 x 30.0 cm

 

 

 

 

  HAVE GOOD INTENTIONS (III)  after Olav H. Hague, 2016  oil pigment, aqueous sheet with daylight  61.0 x 30.0 cm   (private collection UK)          

HAVE GOOD INTENTIONS (III) after Olav H. Hague, 2016

oil pigment, aqueous sheet with daylight

61.0 x 30.0 cm

(private collection UK)

 

 

 

I-LIKE-HOW-YOU-USE-FEW-WORDS_2.richard_devereux.jpg
  I LIKE HOW YOU USE FEW WORDS (III)  after Olav H. Hague, 2016  oil pigment, aqueous sheet with daylight  65.0 x 40.0 cm   (private collection UK)          

I LIKE HOW YOU USE FEW WORDS (III) after Olav H. Hague, 2016

oil pigment, aqueous sheet with daylight

65.0 x 40.0 cm

(private collection UK)

 

 

 

  LEAVE THE DOOR OPEN FOR THE UNKNOWN (III)  2016  pigment dispersal, archival Polymex and light sheet  24.0 x 31.5 cm            

LEAVE THE DOOR OPEN FOR THE UNKNOWN (III) 2016

pigment dispersal, archival Polymex and light sheet

24.0 x 31.5 cm

 

 

 

 

  LEAVE THE DOOR OPEN FOR THE UNKNOWN (VI)  2017  pigment dispersal, aqueous polyester and daylight  24.0 x 30.0 cm            

LEAVE THE DOOR OPEN FOR THE UNKNOWN (VI) 2017

pigment dispersal, aqueous polyester and daylight

24.0 x 30.0 cm

 

 

 

 

  LEAVE THE DOOR OPEN FOR THE UNKNOWN (VI)  2017  pigment dispersal, aqueous polyester and daylight  24.0 x 30.0 cm         

LEAVE THE DOOR OPEN FOR THE UNKNOWN (VI) 2017

pigment dispersal, aqueous polyester and daylight

24.0 x 30.0 cm

 

 

 

  UNTITLED  2017,  oxidised iron, enamel and cast Perspex,  36.0 x 24.0 x 3.0 cm  (private collection UK)            
  HOW LONG SHALL WE STAND HERE? (II)  after Olav H. Hague  2007–17  6000º fahrenheit on eroded limestone  45.0 x 35.5 cm          
  LEAVE THE DOOR OPEN FOR THE UNKNOWN  (detail) 2017  pigment dispersal, aqueous polyester and daylight  24.0 x 30.0 cm            
  I LIKE HOW YOU USE FEW WORDS (IV)  after Olav H. Hague, 2016  oil pigment, aqueous sheet with daylight  48.0 x 29.0 cm            
  LEAVE THE DOOR OPEN FOR THE UNKNOWN (V)  2017  pigment dispersal, aqueous polyester and daylight  24.0 x 30.0 cm            
  HAVE GOOD INTENTIONS (III)  after Olav H. Hague, 2016  oil pigment, aqueous sheet with daylight  61.0 x 30.0 cm   (private collection UK)          
I-LIKE-HOW-YOU-USE-FEW-WORDS_2.richard_devereux.jpg
  I LIKE HOW YOU USE FEW WORDS (III)  after Olav H. Hague, 2016  oil pigment, aqueous sheet with daylight  65.0 x 40.0 cm   (private collection UK)          
  LEAVE THE DOOR OPEN FOR THE UNKNOWN (III)  2016  pigment dispersal, archival Polymex and light sheet  24.0 x 31.5 cm            
  LEAVE THE DOOR OPEN FOR THE UNKNOWN (VI)  2017  pigment dispersal, aqueous polyester and daylight  24.0 x 30.0 cm            
  LEAVE THE DOOR OPEN FOR THE UNKNOWN (VI)  2017  pigment dispersal, aqueous polyester and daylight  24.0 x 30.0 cm         

UNTITLED 2017,

oxidised iron, enamel and cast Perspex,

36.0 x 24.0 x 3.0 cm

(private collection UK)

 

 

 

 

HOW LONG SHALL WE STAND HERE? (II) after Olav H. Hague

2007–17

6000º fahrenheit on eroded limestone

45.0 x 35.5 cm 

 

 

 

LEAVE THE DOOR OPEN FOR THE UNKNOWN (detail) 2017

pigment dispersal, aqueous polyester and daylight

24.0 x 30.0 cm

 

 

 

 

I LIKE HOW YOU USE FEW WORDS (IV) after Olav H. Hague, 2016

oil pigment, aqueous sheet with daylight

48.0 x 29.0 cm

 

 

 

 

LEAVE THE DOOR OPEN FOR THE UNKNOWN (V) 2017

pigment dispersal, aqueous polyester and daylight

24.0 x 30.0 cm

 

 

 

 

HAVE GOOD INTENTIONS (III) after Olav H. Hague, 2016

oil pigment, aqueous sheet with daylight

61.0 x 30.0 cm

(private collection UK)

 

 

 

I LIKE HOW YOU USE FEW WORDS (III) after Olav H. Hague, 2016

oil pigment, aqueous sheet with daylight

65.0 x 40.0 cm

(private collection UK)

 

 

 

LEAVE THE DOOR OPEN FOR THE UNKNOWN (III) 2016

pigment dispersal, archival Polymex and light sheet

24.0 x 31.5 cm

 

 

 

 

LEAVE THE DOOR OPEN FOR THE UNKNOWN (VI) 2017

pigment dispersal, aqueous polyester and daylight

24.0 x 30.0 cm

 

 

 

 

LEAVE THE DOOR OPEN FOR THE UNKNOWN (VI) 2017

pigment dispersal, aqueous polyester and daylight

24.0 x 30.0 cm

 

 

 

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